recs 


¥ 


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yf 


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ed Oa ey eS ee ee, 


n Ae of more than $80 
received for the ninety-four paintings 
comprising the A. A. Healy collection, 


‘sold at Mendelssohn Hall last week by | — 


‘Thomas E. Kirby of the American cee 
‘Association. 

The highest price for a single picture 
was $7,900, paid by C. J. Peabody for 
a Daubigny, “Banks of the Marne,” 
after spirited bidding. The next high- 
est price was $6,000, also paid for a 
Daubigny, by Carl de Silva. A third 
Daubigny brought $1,100. Four pice | 
tures by Maris, “View of Dordrecht,” 
“Scheveningen,” “Holland Landscape” 
and “Under. the Willows,” brought an 
average of more than $2,700 each, while 
four paintings by Israels averaged 
$1,325 each. 

The bidding throughout was brisk 
and at times spirited, especially in the 
case of Daubigny’s “Banks of the 
Marne,” which was bid up from $400 
to $7,900. 

The pictures sold, with title, artist’s 
name, buyer and price follow: 

WATER COLORS. 
‘“‘Harly Evening.’’ Poggenbeek; EH. M. Gaines.... $95 
“The Cobbler,’’ Offermans; C. Klackner........ 90 
“Winter in Holland,’’ Bastert; Col. Woodward.. 75 


“Castle by the Sea,’’ J. Bosboom; Col. Woodward 175 
““Peonies,’’ Mrs. M. Roosenboom; Col. Woodward. 150 


‘*Peonies,’’ Mrs. Rosenboom; G. Towne........ 180 
‘Pasture in Holland,’ J. M. Vrolyk; J. B. 

| e146 (10) | LSet sed: Got cacdoo odo abba oad 200 
Village Canal,’’ Bosboom; Carll De Silva...... 180 


Trench Landseape,’’ Harpignies; Hugo Reisinger 200 
Peasant’s Home,’’ A. Mauve; Knoedler & Co.... 700 


“A Pensive Sewer,’’ J. Israel; P. W. Rouse.... 925 
“Holland Meadow—Spring,’’ G. Poggenbeek; Col. 

W GOOG WAT. aie 6c Fotis tre ue le eiele Woeceer Tone ne nen neneeeana 250 
“Old Age,’’ J. Israels; Hugo Reisinger......... 875 
‘“‘A Heath in Holland,”’ J. H. Weissenbruch; C. 

W. Kraushaar 2.60. Ge ee eee » 625 
“Cows in Pasture,’’ W. Maris; J. Gehme........ 875 
“Among the Flowers,’’ A. Neuhuys; Knoedler : 

ek 0 Wen Ee St SRC GS oh sos deo 175 | 
“Summer Day in Holland,’’ J. H. Weissenbruch; 


Knoedler ’& Co. ..n..00. 20 sles seh ee eee 525 
“View of Dordrecht,’’. Maris; Scott & Fowles.. 2,600 | 


“Canal in Holland,’’ F. ee arts TES Saree 600 
‘““A Fisherwoman,”’ D. C. tz; . H. Gottlieb 400 
oi PAINTINGS. ’ 
‘‘Autumn,’’ John: a*Rarge 72s 475 
“Along? the River; D.. Ao CaeATtznseresi eerie 110 
‘“‘Fishing Boat,’’ L. Hervier; Col. Woodward.... 60 | 
‘“‘Incoming Sea,’’ G: Bellont; O. Olivotti ........ 60 
‘‘Apple Blossoms,’’ N. Bastert; Frank Healy.... 200 | 
“Village Road,’’ J. G. Fisher; G. G. Hess...... 210 


“Street Market,’’ J. H. Wijsmuller; V. Rodisi.. 130 
“Cow in Sunlight,’’ A. Mauve; Col. Woodward... 400 


‘“‘Cows is Pasture,’’ A. Mauve; Sterling........ 200 
‘“‘The Faleoners,’’ J. L. Brown, Caril De Silva.. 300 | 
‘“‘Artist’s Studio—Boulogne,’’ Cazin; J. Oehme... 275 
“Seheveningen,’’ J. Maris; Col. Woodward....... 875 
“Distant Village,’’ Harpignies; Knoedler ........ 800 | 
“Holland Landscape,’ J. Maris; F. Healy..... 1,000 
“Hdge of Korest,!?’ J; Dupre; Sterling @.. 2... 825 | 
“Old Farmhouse,’’ Troyon; J. L. Newborg...... ‘ 725 
“Watering” Horses; Jacque 7 soy meee eae 800 


“The Bather,’’ Corot; Sterling 


Cr ao 


I IIIS SOs ary 5 wee v g fcie ce es os igs oe cae cis s 
a |«puteh. Pasture,’’ J. H. ai ticce cir nen: Cc. W. 
MRIRRRCRS ICID? Oe A cs, Skier os wes « aces Sieuviives cee 8 
“A Happy Fraulein,’’ L. Knaus; Fishel, “Adler 
ASE Soh CUTE c I ey G E CROE e ie Bio 
‘Stable Interior,’’ Gericault; Mr. Ferguson cesar hey: WO 
‘The Merry Counle,’’ Jan Steen; J. Lawrence. 38, 
“Pool in the Pasture,’’ T. de Bock; Knoedler & 


CC i CC ee ee ee ey 


Co. 

“Dutch Meadows, oe Poggenbeck: C. W. Kraushaar 
“The Birches,’’ Harpignies; Nathan Allen..... 2,100: 
“Sunset after Storm,’’ J. Francis Murphy; W. J. 

COMTERCHIES SSeS Oe RG Mae ates DD rect aera 330° 
“A Summer Day.’’ Harpignies; E. McMillan... 2,000 
ae of the Marne,’’ Daubigny; C. J. is 


CC eS 


ET EAN MRIS Teco aceyno? «cles Yo. ols dls co Secs Ste oC ROe oe 
“Waiting for His Master, > ~Israels! °s..0 < <c s:.c0n0 Z 
“Plain, Barbizon—Twilight,’’ Rousseau ........ 1,225 
“Gypsy Encampment,’’ R. A. Blakelock; J. R. 
MATOS ere ers o Seay Peraferens, ats, « o, sisiauaetera esl Soe 800 
‘*Hillside Pasture,’’ J. Murphy; W. J. Curtis... 525 
‘““Rifth Avenue—Spring Morning,’’ Childe Hassam; 

PPO MANILET So OELOM ie ceerdievesc o's tiv ne Sepa es as ee 625 
‘‘Showery Day. Spring,’’ Daubigny; Carl De Silva 6,000 
“Port de St. Valery.’’ Boudin; Hugo Reisinger.. 625 


SStilerite. A. Vollons Knoedler....i2..2.5..%.- 525 
“Te Dernier Quartier,’’ Cazin; Knoedler ...... 4,500 
“Unloading the Catch,’’ Boudin; Hugo Reisinger. 625 
“In the Orchards,’’ J. S. Kever; Knoedler...... 400 
““Ploughing,’’ Th. Honrath; W. Sittenham...... 325 
‘Near the Dunes,”’ de Bock; Knoedler .......... 675 
“Trouville,’? Boudin; Louis L. Firuski .......... 550 
‘Warly Morning,’? Mesdag ; W. J. Qurtis........ 625 
“Tittle Nursemaid,’’ J. S. Kever: A: Chester 
EOSIN 5) 5515 0 GE ee Jee Gea Ee ec 400 
‘Country Road,’’ T. de Bock; " Kndedler aE Sah eo 625 
“The White Sail.’’ N. Bastert: Col. Woodward... 325 i 
‘‘Amusing the Baby,’’ J. S. Kever; Knoedler. 650 { 
‘A Dutch Fisherman,’’ B. J. Blommers; Arthur 
Sipativ. 23S b Rea 6 ee 5 Gore ee er a aes 325 
‘‘Autumn,’’ T. dé Boeck; M. H. Lehman........ 1,150 
“Cows ‘in Pasture,’’ E. Watelin; N. W. H. Lea. 175 
‘Warm in Holland,’’ W. Roelofs; Col. Woodward 400 
‘*A Duteh Interior,’’ J. Israels; Arthur Tooth 2,60V 
dae cing the Rick,’’ W. C. Nakken; H. D. Bab- oh 
ORRIN et at to's fertnle viicig 6 aloud 0 5.s 4 o's a 46 stwselanetene 
ut aEacane and Cattle,’’ J. M. Vrolyk; PP. V. 
NOTA Ce ocd ca dae Sis sles Liles eile s 450 
'‘*Playmates,’’ J. S. Kever; Knoedler ........... 1,350 
“Old Man Walking,’’ J. Israels; Knoedler........ 900 
“Sunlight,‘‘ .A. Neuhuys; Fishel, Adler & 
SP ESPU a. 2 io aU ie tac SR ne ene ara ere eens 650 
‘Shepherd and His Flock—Winter,’’ Ter Meulin; 
bby se Epstt, ME eee e eee ee eset eee eee ee teen eee 1,000 
SMhe Kermry. ©. Troyon; J. Hpstine ........... 1,050 
“Springtime,’’ ©. Daubigny; Col. Woodward.. 1,100 . 
Gee in Winter,’’ J. H. Wijsmuller; Glenden- se 
LUE eee Se Sore 8 RS eer ree 
“under the Willows,’’ W. Maris; Knoedler..... 5,100 
‘Pasture Near Dunes,’? W. Roelofs; Charles 
GMAT TREND Vee) etree kk sie a sk ws ia oo ee aw gos a 710 
“Wishing Fleet,’”?> H, Mesdag; J. Epstine....... 700 
“In the Cornfield,’’ R. ce Gabriel; Scott & Fowles 500 
‘Avening in» Harbor,’’ G. H. McCord; Hmerson 
TNE We) Cie, SER, Bae Sid Ser Belpre Re a a 800 
“Canal in Venice,’’ G. Sartori: P. L. Shelleus. 250 
‘Ttalian Garden,”’ a Belloni; A. Olivotti........ 250 


“Harbor at Genoa,’’ G. Belloni; A. Olivotti .... 250 
‘“‘Market Sicene, Venice,’’ A. Milesi; Col. Wood- 
ward Reece cece rece tence te tee e eee neces 225 


crema: IO 


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tte 


ae Po canes one RARER Tee 
“The Artist's nai caw ee J 
Cazin; J. Dohme. oes canes ea : 
“Scheveningen,’’ Jacob Sots 
“A Distant Village,” Henri Sia 
‘“WWolland Landscape,"’ Jacob bagasse 
“The Edge of a Forest,” Jules I 
“The Old Farmhouse,’* Co 
Newborg) .....2+5: Mira reas... 3: 
“Watering the Horses, m ’ Charles ] 7 
cd Bather,’’ Jean Baptiste Camille 
Sverere sere + e186 SASS eee ae te 
rene “Medfield Farm——Massachusetts,’’ 
N. SAGs Ve RE ERE thd is hh - - 
ner Scie Sohveartes ee 
' er & ic Beet sade 5 As ah 
“s ‘Dutch Pasture,” Johannes H Bedi Wiehe 
bruch? cS. WwW. Kraus. ausee?. regi eee . b adewsn 
“<’ Happy Frdéuicin,’’ Ludwig Liege in 
Adler & Sohwarts..e. cde sceads eee tang ee ee a ‘ 
“Stable Interior,’ J. L, A, T. Géricault; ae 
Ferguson eeeeaee PMO Ne sce as BSS 4 ‘a 
te wert Meng Couple,” Jan Havicksz Steen; J. Law~ x 


ope Pool ‘in the Past? “inh a ek ¢ i 


Knoedler & C8 se oes Segeanbnane he 
“Dutch Meadows,’' Poggenbeck; c 


jSraushaar pesiepremeria ge Gn 
"The Birches,” Henri ; Natha 
“Sunset after the Storm," Francis Mur 
/ N. ASS , W. ae CUES Aas eas ee ee 
“A Summer Day,” Henri Harplgntes HB. lan 
soe Oo tee 
LEYS ‘0 ae wee ee ee 
“Summer in Holland,” lem Teena 
Bathaway ewe 8 ee prefs ee tee CNC 210 
“Waiting for His Master,” ‘Josef Isras a 
“The Plain of Barbizon at eth gore 
Rousseau Pe SURO SEL SEN AB SE RE RS eb bh 
800 
525 


7,000 
NOs eure aes ee urs, 


“Gypsy neamament, “Ralph. Albert Blakelock; 
Je R. Andrews. Bh aro eye ha hes 2 ee bets ccen esters. 
A” Hillside Pasture,” J. Francis Mi ¥ eT 
PW Te Curtic. 1.40 Bice SGA ee habe Mantas aap nn ae oad Rav” 
“Fifth Avenue and Fifty-sixth Street—Spring ~ 
Morning,’ Chilie nlassam; Alexander Morton...» 625 
‘cA. Showery Day in. Spring,” Frangols 
Daubigny ; Carl De Silver. ccccee sweeter ger seeeres 6,000 
ae de St. Valery,’ Louis Hugéne Boudin; Hugo | 
5 eee eaves earner aeee NS ed ah le eiemigre sige mea wp MOry 
“Stilt Tite, id “Anton Vollon; “Wnoedler.....-.s0215 Pte oe 
-T9 Dernier Quartier,’ Jean Charles Cazin; ‘Knoed— er 
wee ee ewe a i fu 6-9 eee oN RA A a Se Se Eee 4,500 
“400 
325 
675 
‘650 
25 
400 


ler : 
“Unloading the Catch, (oe Louis Hugene Pores 
t Hugo Retsinger. . * ee es whe ag Ae Oe ASE 
‘In the Orchards,’’ “Tacob ‘Simon Hendrik rik Kever; — 
- EKnoedler ....<++: Sie eR RR ee oth aos ee 
\“Ploughing,’’ Theodore “Honrath; William Sitten— 


ham Sore Cc be at Ye hg Aaah a Ciena 


Molec the Dunes,’” Theovhil &z. de 


MRS Ble ww lene ea eo 69 8 ee peers karan 
“frouviile," Louis ‘Wugéne ‘pons. te ie ee Ao 
TUSKI we ee le mie (0-0 ere ae PAE ES 0 
oe Morning,” Hendrik Willem ‘Mesaag; W ~ a 
“Tha Little Nursemaid, ae Faced” ‘Simon \Hendrik - 
Kever; A. Chester Beatty... nec eee Mi eg tie ac a 
Lo Country Road,'’ Theophil ge de Bock; Knoed- 628 
POW METER ToT Wy Yar Be SOS TATE pila hed st tay Dh PUA rer ic M5 at a ee oy OR 
“The White Sall,’’ ‘Nicolaas Bastert; Colonel Wood- 
WANE) fuk ce owldia Wile Oe ene gn sir Rae UN ets a 
“Amusing the Baby, J acob gimon "Hendrik Ke- 
ver; Knoedler).....- BNE S Sue Okara eae ath n eee 
“A Dutch Fisherman,” Bernardus Johannes Blom- — _. 
mers; Arthur Tooth. . sirens aly ak © Bate ack ale Ge pels Ranta 
“Autumn,"’ Theophil ri ‘de Bock; M. H. Lehman. 1, 
“Cows in Pasture,’” EB. Watelin; ‘WN. W. Hu Lea.. 
“A Farm in Holland,’* Willem 2B ‘Colonel 
Robert H. Woodward ..,.+.- each as Ae 
“A Putch Interlor,’’ Josef Israéls; ‘Arthur Tooth,. 2,600 
“Building the Rick,’ Willem Carl Nakken; H, D. | 
Babeoe eden ee wee ee 7 BOON Pe SLY ahah wee \e 
“Landscape and Cattle, % Johannes Martinus Vro- 
ee BR. Wi Pudley. 1. ow eke wey po he ee aa 450. 
Nye aymates,’” on *Simen Hendrik Kever; sBetacarel o 
“Ay Old Man Walking,’’ Josef Tsragls; wa = 
“Sunlight,” Albert Neuhuys; Cail ler 
ARAMA te ES ig ce ende © sone ine ml mgies aes Aa ad 
“s Shepherd and Tine Ses 
Pieter Ter Meulan; J. Epstine YS SE tena be 
“phe. Ferry,’ Constant Troyon; i og eb oe) ae 
“Springtime,’* Charles bags t Da fgny; Colonel © 
Woodward. efaiitikecs ws Sap cee ae Ry wits ay. pHs ere ae 1,100 


aa 


J Ens rt Batablas: foe $75,- 
were many well-known artists. 

Z yut the pictures were not 
of their works, and the 
plist! was $7,900, 


nase “The Banks of the. 


ald $6,000 for. bactnee| 
wery Day in Spring,’ 
Qo. $3,100 for ‘t Under 
Dap ey ‘Maris. ‘The 
$3,000, and the Maris, 
Kly from $1,000 up to $3,000. A} rG 
the, ptotures will go back te | 
‘de g bid in by Col, Robert 
Pmerson MoMillin was an- 
‘well known at the art sales. | 
nall Mauves were interesting, the 
‘of that artist having prought 

uc large prices within the last few 
’ e were studies, 4 single figure 
e, “ Cow in Sunlight,’ and the other. 
dscape, “Cows in Pasture.” These 

» purchases from the widow of. the 
st, and brought last night, respective- | 
and_$200. A Troyon,, es ic Ferry, ds 


Fie SS EE eda 


; 


PRIVATE COLLECTION 


A. AUGUSTUS HEALY, ESQ 


BROOKLYN 


i 
i 
i 
| 
q 
f 
t 
i 


r 
F 
fF 


UNRESTRICTED PUBLIC SALE 
: AT MENDELSSOHN HALL 
| ON FRIDAY EVENING, FEBRUARY 15rx 


BEGINNING PROMPTLY AT 8.15 O'CLOCK 


i 
4 


CATALOGUE 


OF 


AND 


| VALUABLE PAINTINGS 


WATER COLORS 


MOSTLY OF THE 
MODERN DUTCH SCHOOL 


FORMING THE 


PRIVATE COLLECTION 


A. AUGUSTUS HEALY, ESQ. 


TO BE DISPOSED OF AT UNRESTRICTED 
j PUBLIC SALE 


ON FRIDAY EVENING, FEBRUARY 15 


AT MENDELSSOHN HALL 


FORTIETH STREET, EAST OF BROADWAY 


‘THE SALE WILL BE CONDUCTED BY 


MR. THOMAS E. KIRBY 


OF THE 


- AMERICAN ART ASSOCIATION, Mars. 


NEW YORK :1907 


Press of J. J. Little & C 


Astor Place, New York _ 


Oo. 


CONDITIONS OF SALE 


d 1. The highest Bidder to be the Buyer, andif any dispute arise 
__ between two or more Bidders, the Lot soin dispute shall be immedi- 
ately put up again and re-sold. 


2. The Auctioneer reserves the right to reject any bid which is 


_ merely a nominal or fractional advance, and therefore, in his judg- 
__ ment, likely to affect the Sale injuriously. 


3. The Purchasers to give their names and addresses, and to pay 


I down a cash deposit, or the whole of the Purchase-money, if required, 


in default of which the Lot or Lots so purchased to be immediately 


put up again and re-sold. 


4. The Lots to be taken away at the Buyer's Hxupense and Risk 
within twenty-four hours from the conclusion of the Sale, and the 
remainder of the Purchase-money to be absolutely paid, or otherwise 
settled for to the satisfaction of the Auctioneer, on or before delivery; 


in default of which the undersigned will not hold themselves respon- 


a Tint Elman ae ae" 


sible if the lots be lost, stolen, damaged, or destroyed, but they Cpe 
be left at the sole risk of the Purchaser. | 
5. While the undersigned will not hold themselves Paesoucinie is 


_ the correctness of the description, genuineness, or authenticity of, or 
any fault or defect in, any Lot, and make no Warranty whatever, 


they will, upon receiving previous to date of Sale trustworthy expert 


' opinion in writing that any Painting or other Work of Art is not 
_- what itis represented to be, use every effort on their part to furnish 
proof to the contrary; failing in which, the object or objects in ques- 


tion will be sold subject to the declaration of the aforesaid expert, 
he being liable to the Owner or Owners thereof, for damage or injury 
occasioned thereby. 

6. To prevent inaccuracy in delivery, and inconvenience in the 
settlement of the Purchases, no Lot can, on any account, be removed 
during the Sale. 

7. Upon failure to comply with the above conditions, the money 
deposited in part payment shall be forfeited; all Lots uncleared 
within one day from conclusion of Sale shall be re-sold by public or 
private sale, without further notice, and the deficiency (if any) 


attending such re-sale shall be made good by the defaulter at this 


Sale, together with all charges atiending the same. This Condition 


48 without prejudice to the right of the Auctioneer to enforce the con- 


tract made at this Sale, without such re-sale, if he thinks fit. 

8. The undersigned are in no manner connected with the business 
of the cartage or packing and shipping of purchases, and although 
they will afford to purchasers every facility for employing careful 
carriers and packers, they will not hold themselves responsible for the 
acts and charges of the parties engaged for such services. 


Tot AMERICAN ART ASSOCIATION, Managers. 
THOMAS E. KIRBY, AvcrTIonzEER, 


ARTISTS REPRESENTED AND 
THEIR WORKS 


CATALOGUE 
ae NUMBERS 
| ARTZ, Davin ApotPHE Constant, 

A Fisherwoman 20 
- Along the River 92 
BASTERT, Nicoraas 
Winter in Breukelen, Holland 3 
i Apple Blossoms 25 
4 The White Sail . 69 
: A River View in Holland 84 
_ BELLONI, G, | 
, Incoming Sea 24, 
: : An Italian Garden 92 
i The Harbor at Genoa 93 
| 
_ BLAKELOCK, Rate Axzert, 
Gypsy Encampment 54 
BLOMMERS, Bernarpus JoHANNEs, 
A Dutch Fisherman 71 
 BOSBOOM, JoHannes, 
i Castle by the Sea A 
Poy The Village Canal 8 
BOUDIN, Louis EvcEne, 
_ Port de St. Valery 58 
Unloading the Catch 61 


Trouville 65 


CATALOGUE — 


NUMBERS 

BROWN, Joun Lewis, 

The Falconers 30 
CAZIN, Jean CHartes, 

The Artist’s Studio—Boulogne 31 

Le Dernier Quartier 60 
COROT, Jean Baptiste CamiLze, 

The Bather 38 
DAUBIGNY, Cuartes Francois, 

Banks of the Marne 50 

A Showery Day in Spring 57 

Springtime 83 
De BOCK, Tuerornui H., 

The Pool in the Pasture A5 

Near the Dunes 64 

A Country Road 68 

Autumn 72 
Du CHATTEL, Frepericus J aconvus, 

Canal in Holland 19 
DUPRE, J ULES, 

The Edge of a Forest 35 
FISHER, J. G., | 

A Village Road 26 


GABRIEL, Pavut Josepu Consrantine, 
In the Cornfield 89 


GE RICAULT, Jean Louis ANDRE THEODORE, 
Stable Interior 43 


CATALOGUE 


a NUMBERS 

-HARPIGNIES, Henn, 

_ French Landscape 9 
A Distant Village 33 
The Birches AT 
A Summer Day 49 


- HASSAM, Cur, 


Fifth Avenue and Fifty-sixth Street— 
Spring Morning 


| HERVIER, L., 


The Fishing Boat 


SHONRATH, Turonorr, 


Ploughing 


- INNESS, Gerorce, N.A., 


7 


EST areas ie re 


A Medfield Farm—Massachusetts 


ISRAELS, Joser, 
A Pensive Sewer 
Old Age 
Waiting for His Master 
A Dutch Interior 
An Old Man Walking 


MO ACQUE, Cranixs: Kure, 


Watering the Horses 


i KEVER, Jacos Simon HeEnonrik, 


He 


In the Orchard 

The Little Nursemaid 
Amusing the Baby 
Playmates 


KNAUS, Lupwice, 
A Happy Fraulein 


56 


23 


63 


39 


42 


LA FARGE, Joun, N.A., 


Autumn 


“MARIS, Jacos, 


View of Dordrecht 
Scheveningen 
Holland Landscape 


MARIS, Witem, 


Cows in Pasture 
Under the Willows 


MAUVE, Anton, 


The Peasant’s Home 
Cow in Sunlight 
Cows in Pasture 


McCORD, Georcrt HeErpert, A.N.A., 
Evening in the Harbor 


MESDAG, HENprRIK WILLEM, 


Early Morning 
The Fishing Fleet 


MILESI, A., 
A Market: Scene in Venice 


MURPHY, J. Francis, N.A., 


Sunset after the Storm 
A Hillside Pasture 


NAKKEN, WIititem CareEt, 
Building the Rick 


NEUHUYS, Atsert, 


Among the Flowers 
Sunlight 


CATALOGUE 
NUMBERS 


_ OFFERMANS, Tory, 


The Cobbler 


POGGENBEEK, Georce, 


Early Evening 
Holland Meadow—Spring 
Dutch Meadows 


ROELOFS, Wittem, 
Summer in Holland 
A Farm in Holland 
Pasture near the Dunes 


ROOSENBOOM, Mrs. MarcaretHaA VOGEL, 


Peonies j 
Peonies 


ROUSSEAU, Tutonore, 
The Plain of Barbizon at Twilight 


SARTORI, G., 


A Canal in Venice 


STEEN, Jan Havicxsz, 
The Merry Couple 


TER MEULEN, Francois PIETER, 
A Shepherd and His Flock—Winter 


TROYON, Constant, 


The Old Farmhouse 
The Ferry 


VOLLON, Anton, 
Still Life 


VROLYK, Jonannes Martinus, 


A Pasture in Holland 
Landscape and Cattle 


2 


53 


91 


44 


36 


59 


717 


WATELIN, E., 


Cows in Pasture 


WEISSENBRUCH, Jowannes HENpRIK, 


A Heath in Holland 
A Summer Day in Holland 
A Dutch Pasture 


WIJSMULLER, J. H., 


The Street Market 
The Lock in Winter 


WYANT, Arexanver H., N.A., 
The Mountain Road 


40 


«CATALOGUE 


SALE FRIDAY EVENING 
: FEBRUARY 15rx, 1907 
x es 


AT MENDELSSOHN HALL 


FortietH Street, East or Broapway 


_ BEGINNING PROMPTLY AT 8.15 o’cLOcK 


WATER COLORS 


eserersry 


Se ae PRY TI 


WATER COLORS 


NO. 1 


George Poggenbeek 


DUTCH: 1853—1903 


fy 


EARLY TENS Dr 
ie Vu f 
Water Colo VA ed 


Height, 151, inches; width, 111/, inches 


: A Low cottage, near which stand two leaf- : 
less trees, their straggling branches ex- 
_ tending out of the picture, is the prominent 
| object in the composition, and is silhou- 
_ etted against a quiet sky. In the fore- : 
ground on the left are small wooden coops 
and the roof of an outbuilding, and on the 
| right is a path bordered by a row of small 
bushes. The glow of lamplight in the 
' cottage window, which is partly screened 
i by an opaque curtain, indicates that twi- 
light is near. 


Signed at the lower left, G. PoccENBEEK. 


No. 


2 


Tony Offermans 
DUTCH: 1854— 


THE CO B R f< f | J 
Water Color Ki ee 
Heighi, 18 inches; width, 19 Suches 


An oxtp Dutch cobbler, pipe in mouth, sits 


in a low chair near a window under which ~ 


is his cobbler’s bench with various tools, ae 
engaged in repairing a shoe which he holds _ 
on the leather apron on his lap. The figure 
is lighted by a narrow window, the casements 
of which are thrown open, and a petroleum 
lamp with a tin shade hangs from a beam 
over the cobbler’s head. 


Signed at the lower right, 'T. OFFERMANS. 


3 


NO. 


Nicolaas Bastert 


ia DUTCH: 1854— 
| WINTER IN BREUKELEN— 
es 0) HOLLAND 


4 


| ae ae ; Wate ire y Prerdes ahs 
ff Height, 11 inches; length, 17% inches 


oe 


A Heavy fall of snow is on the ground and 
the winding hedge-bordered village street, 
which leads from the foreground around to 
the right between low cottages, is broken 
_ by the single track of a cart which is seen 
proceeding along toward the houses. On 
the left a row of pollarded trees grows 
along what is apparently a canal, now 
covered with ice, and on the opposite bank 
stands a farm building and a row of trees 
in winter foliage. 


4 Signed at the lower left, N. Bastert. 


NO. 4 


Johannes Bosboom 
DUTCH: 1817—1891 


é ¢ CASTLE BY LEE FN, a 


Water Color 
Height, 11 inches; width, 81, inches 


In a broad, open street or market-place 
in a small fishing village in Holland stands 
a lofty stone building with a corner tower, 
evidently the relics of bygone grandeur. 
Alongside, and contrasting strongly with 
it, is a low cottage with red-tiled roof, and 
beyond it are other cottages at the foot of 
a dune, over the crest of which is seen the 
mast of a fishing vessel. A few figures are 
grouped in the shade of the tower and a 
woman is walking toward the foreground in 
the sunlight. 


Signed at the lower left, Bossoom, ’61. 


| 
| 
| 


‘ 


No. 
y Margaretha ‘Vogel Roosenboom 


PEONIES. 


Water Color 
Height, 12 inches; length, 20 inches 


5 


Two large white peonies in full blossom, 
and others in bud, have been carelessly 
thrown upon a stone bench in strong light 
from the upper left. The background is a 
broken tone of gray. 


Signed at the lower right, Maret. RoosENnBoom. 


N°. 6 


Margaretha Vogel Roosenboom 
DUTCH: 184341898 


ht 


i 


we 
PEONIES 
Water Color 
Height, 271, inches; width, 191% inches 
A a@reEaT bunch of pink and yellow peonies, 
some in full blossom, some in bud, are 
arranged with their leaves in a low glass 
jar on a stone bench and are strongly lighted 
from the upper left. The background is a 
broken tone of gray. 
Signed at the lower right, 


Marcr. VoceLt Roos—ENBOOM. 


- Johannes Martinus Vrolyk 
DUTCH: 1846—1896 


A PASTURE IN HOLLAND 


Water Color 
Height, 21 inches; length, 30 inches 


In the foreground a brown and white cow 
is browsing on the rough herbage of a broad 
pasture, and near her stands a peasant in a 
blue blouse. The pasture is bounded on the 
right by an irregular hedge of small trees, 
and on the left, in the middle distance, 
are seen approaching a cow and calf, and 
several other catile. The view extends 
across the broad, irregular pasture to a_ 
distant horizon, softened by the delicate mist 
of summer. The sky is nearly covered by 
luminous clouds, and a few birds flutter 
above the trees. 


Signed at the lower right, JAN VROLYK. 


NO. § | 
Johannes Bosboom 


DUTCH: 1817—1891 


THE VILLAGE CANAL 


Water Color 
Height, 9 inches; length, 13 inches 


A QUIET waterway, extending from the left 
4 foreground diagonally to the right, is bor- 
| dered on either side by broad, level quays. 
On the left, lofty buildings with red-tiled roofs 
rise against the sky, and on either side of the 
| canal grow great rank trees in full foliage, 
| and through an opening between them is a 
glimpse of a sunlit building. The figures 
of women, in characteristic white caps, are 
seen here and there, one of them engaged 
in washing clothes on the far side of the canal. 


Signed at the lower right, J. Bossoom. 


Henri Harpignies 
FRENCH: 1819— 


FRENCH LANDSCAPE 


Water Color 
Height, 81%, inches; length, 12 inches 


Tuis is a view across an open valley, broken 
by a roadway and irregular pools of water, 
to distant tree-covered slopes. On the left, 
irregular masses of foliage are in strong sil- 
houette against a luminous sky, and on the 
right rounded trees crown the steep de- 
clivity of a low hill. Near the foreground a 
few slender poplars grow on a low bank 


- between a sandy road and a pool of water 


which reflects the light of the sky at the 
zenith. | 


Signed at the lower left, h’h arvicniss, ’92. 


= a s 
“a ee 
iS al eam Dp 


iy Ad al 


No. 


10 


Anton Mauve 
DUTCH: 1838—1888 


a ar re eae 


a THE PEASANT’S HOME 
Water Color 
Height, 12 inches; width, 814 inches 


An old Dutch peasant in rough garments, 
wooden shoes and with an apron tied around _ 
! his waist, is engaged in sweeping the ground 
a with a rough besom, near the corner of 
an old board hovel. A barrel partly filled 
with sticks stands near him, and beyond is 
suggested a grassy field bounded in the dis- 
tance by a grove of slender trees} * 


Josef Israels 
DUTCH: 1824— 


A PENSIVE SEWER 


~~. Water Color | 
Height, 13 inches; width, 8 inches 


_ A youne Dutch peasant woman is seated 


in a low kitchen chair near a latticed window, 
engaged in sewing upon a white garment, 
_and while intent upon her work, her thoughts 
are evidently far away. She wears a white 
cap, a pink jacket and a black petticoat, and 
the figure is strongly lighted from the window , 
on the left. 


Signed at the lower left, Joser IsraxEts. 


George Poggenbeek 
DUTCH: 1853—1903 


HOLLAND MEADOW—SPRING 


Water Color 
Height, 1014, inches; length, 161, inches 


From the right foreground a narrow canal, 
partly choked by a rank growth of reeds and 
rushes, crosses diagonally a broad, marshy — 
meadow in which two spotted cows are 
lying on the grass and where pollarded 
willows grow. In the distance between the 
trees is a glimpse of a blue hillside far away, 
and a few sunlit clouds float in the summer 
sky. 


Signed at the lower left, G. PoeceNBEEK. 


N° 13 


Josef Israéls 
DUTCH: 1824— 


DED AGE og ace? 
‘ Sigil Ae oe ait “waa eae Le HY 4 
Wwtrowavater Color kore 


ia Height, 13 inches; width, 10 inches 

“a An old peasant woman, wearing a white 
i linen cap, an ample cloak with high collar 
4 over her shoulders and around her neck, 
and a black petticoat, sits in a low kitchen 
' chair in front of a small fire on the hearth, 
_ warming her extended trembling hands, 
evidently enjoying the luxury of the fire. 


Signed at the lower left, Joser IsraEts. 


fs, * i: ‘Aa 5 tty she "1 
NO. 1 4 
Johannes Hendrik Weissenbruch 


DUTCH: 1824—1903 


A HEATH IN FONE. ‘| 4 


Water Color 


Height, 11 inches; length, 19 ches 


A crear building, roughly thatched, with a _ 
door and window in its gable end, and its — 
ridge irregular and broken, stands in an , 
open waste. Four slender trees grow near — 
the building, and are the only ones which 4 
break the irregular surface of the great q 
pasture. Three cows are wandering across a 
the field toward the building, apparently — 
seeking shelter for the night. A few birds — 
flutter high in the sky above, and the light | 
of the setting sun is concentrated near the © 
horizon and behind the rude structure. 
Signed at the lower left, J. H. WxtsseNsRucH. — 


: 


NO 15 — 
Willem Maris 


a ie DUTCH: 1844— 


| COWS IN PASTURE 
Water Color 
Height, 144, inches ; length, 211, inches 


| ‘ ; 
: ‘Two cows, one black, spotted with white, 
and the other dun-colored with a white face, 
_ stand near a pool in the foreground, browsing 
| on the reeds and coarse grass which grow 
-— there. Beyond them the view extends across 
a | : 

_ the broad open pasture where other cattle 
ae ° ° e 

| are feeding, and where, in the distance, the 
ie eye ° ° ° e 
| | familiar forms of windmills rise against the 

| sky. 

, Signed at the lower left, Wu1em Maris. 

| 

Yas ' f : E 

we 4 

j 6 it se ys i ie ion Sige? 0: 

| be ek. = Vee 

| doa wa, 

f va Pott * Se tk 


ale | 


NO 16 
Albert Neuhuys 


DUTCH: 1844— 


AMONG THE FLOWERS 


Water Color 
Height, 28 inches; width, 161% inches 


A wapy (the artist’s wife) in outdoor cos- 
tume, consisting of a brown skirt and sleeve- 
less jacket over a black bodice and petticoat, 
and a turban-like hat, stands in a conservatory 
surrounded by chrysanthemums, plucking 
some of the delicately colored blossoms. The 
figure is lighted from the upper right, and in 
the background is suggested the glass roof 
of the conservatory with a mass of flowering 
plants. 


Signed at the lower right, Ars. NEuHUYs. 


| NO. 1% 
Johannes Hendrik Weissenbruch \ 


DUTCH: 1824—1903 


A SUMMER DAY IN HOLLAND 
Water Color 
Height, 211% inches; width, 131, inches 


Four spotted cattle, watched by a small boy 
in a blue blouse, broad white trousers, black 
cap and wooden shoes, are resting, partly in 
sunlight and partly in shadow, near a sandy 
road which leads from the foreground to a 
lofty straw stack in the distance overhung 
by tall trees in heavy foliage. The full 
summer sun falls upon the landscape, casting 
a broken shadow upon the middle distance 
and illuminating the great masses of vapor 


which fill the sky. 


Signed at the lower right, J. H. WetsseENnBRUCH. 


Spt pen orem 


. NO. 18 — 


Jacob Maris 


DUTCH: 1837—1899 


VIEW OF DORDRECHT 


Water Color 
Height, 171% inches; length, 221, inches 


bluff-bowed vessels alongside the quay, and 
beyond are a number of houses alternating 


church tower. The sky is filled with lumi- 
nous summer sunlit clouds. 


Signed at the lower left, J. Maris. 


pa th a A I Ee he TS an I FN 


Tuis is a view across a broad canal in the ~ 
populous Dutch town, showing a number of | 


ug 


with clumps of trees, dominated by a lofty — 


‘e 


i 


ay NS 19 | 
| Ie deticus Jacobus du Chattel 


DUTCH: 1856— 


CANAL IN HOLLAND 
Water Color 
Height, 29 inches; width, 19¥, inches 


A NARROW canal extends in rapidly dimin- 
ishing perspective from the foreground to 


the middle distance, where it is bounded 


by a meadow. ‘The low banks of the canal 
are fringed with water-weeds, and on the 
left tall trees grow on either side of a coun- 
try road. The calm waters, along which 
two swallows skim in rapid flight, reflect 
the luminous tones of the quiet evening sky, 
together with the forms of the lofty trees 
that grow along the bank. 


Signed at the lower left, Frev. J. pu CHarre., 


, 
{ 
: 
J 


| Ly 
FH ~F £83 


NO. 20 


David Adolphe Constant Artz 


DUTCH: 1837—1890 


A FISHERWOMAN ~ Shy le 
Water Color. 
Height, 291%, inches; width, 201%, inches 


Tue life-sized head and shoulders of an 
old Dutch fisherwoman, her thin gray hair 
straggling out from underneath her neatly 
ironed white cap and her hands lying idly 
in her lap. Her face is in three-quarters 
view to the right, strongly lighted from the 
upper left, and bears a placid expression, 
which, however, tells the story of struggle in 
life. 


Signed at the upper right, Arrz. 


OIL PAINTINGS 


- 


= 


= 


el 


ato 


se OIL PAINTINGS 


NO. 21 


John La Farge, N.A. 


AMERICAN: 1835— 


) AUTUMN | 
- Height, 81% inches; length, 111% inches 


rising’ out of the picture in the foreground, 
B and beyond an open rank of other trees, with 
a glimpse of a pond and distant hillsides far- 
_ ther away, and a glowing autumn sky. 


_ Tuomas B. Crarxe Collection, New York, 1899. 3347 


0: nant 


\ | NO. 22 


David Adolphe Constant Artz 


DUTCH: 1837—1900 


Pe ee ee 


ALONG THE RIVER 
Height, 10 inches; length, 151, inches 


BEYOND a quiet expanse of water which ex- 
tends across the foreground is seen a broken 
muddy shore, gently sloping up to a fringe 
of low bushes, beyond which an irregular 
rank of poplar and other trees forms an 
irregular horizon line against a sky filled 
with rolling storm clouds touched here and 
there by brilliant sunlight. 


a oe oa aad Sere ae 


arias 


a 


Signed at the lower right, Arrz. 


i 


N9 23 


L. Hervier 
FRENCH 


THE FISHING BOAT 
Height, 13% inches; width, 103%, inches 


In the foreground, drawn up on the beach, 
is a small roughly constructed fishing boat 
with a single mast and lowered sail, appar- 
ently just landed after a good catch of skate, 
for the small cockpit is half filled with fish. 
A large one lies on the sand near the boat, 
and beyond, on the shingle-covered shore, 


-stands a fisherwoman near a pile of fish, 


holding another large one in her hand. 


_ Following the line of a beach which sweeps 


away to the extreme distance, broken only by 
a single craft left high and dry by the tide, 
is a row of steep-roofed thatched cottages, 
touched here and there by a strong shaft of 
sunlight which breaks through the rolling 
storm clouds covering the sky. 


Signed at the lower left, Hervier, ’47. 


Georgio Belloni 


ee 
ITALIAN ‘ fer 3 


Contemporary 


INCOMING SEA 
Height, 111/, inches; length, 16 inches 


THis is a view across a broad expanse of 
water, showing in the foreground a shoal 
with gently breaking waves in a succession _ 
of small combers, and farther away, beyond _ 
narrow sandy banks which show in lumi- 
nous lines in the water, is a line of breakers 
on the edge of the sea, beyond which the sails 
D of a few fishing vessels gleam in the sun- 
i light and break the level of the high horizon. 


Signed at the lower left, & 


25 


Nicolaas Bastert 
DUTCH: 1854— 


APPLE Be oe OMS 
Height, 13% aahey: length, 20 inches 


In the near foreground in a flower - grown 
sward are three fruit trees in full blossom, — 
their flower-laden branches almost conceal- 
ing the sky and extending out of the picture 
at the top. Beyond the trees, on the far 
side of a low wattled fence which is flecked 
a here and there by strong sunlight, are seen 
a a farm-house and farm buildings among 


_ trees in full foliage. 


a Signed at the lower left, N. Basrert. 


Sy 
eee ee 


ston ein at 


t 


a 
we 


se a aR re 


ES aR SY Tg 


SS a aa ae 


N® 26 
J. G. Fisher 


AMERICAN 


A VILLAGE ROAD | 
Height, 14 inches; length, 19 inches — 1 


A Broap road, partly overgrown by grass — 
and extending across the foreground, leads . 
between stone cottages with thatched roofs — 
to an opening under overhanging trees in the © 
distance. Three cows are walking along 4 
the road in the sunlight, apparently on their — 
way to the pasture just outside the confines — 
of the village. | 


Signed at the lower right, J. G. Fisuer. 


NO 27% 


J. H. Wijsmuller 


DUTCH: 1855— 


THE STREET MARKET 
Height, 17 inches; width, 12% inches 


' In a small square in a large Dutch town the 


usual market is being held, and crowds of 
people are assembled around the booths in 
the shadow of the houses in a narrow street, 
which, on the left, extends away in perspec- 


tive past the corner of a large brick church 


which raises a lofty cupola above a steep 
roof against the sky. The sunlight falls 
upon the scene from the left, accentuating 
the facades and gables of the houses along 
the street and the front of a small public 
building which stands under the very eaves 
of the church, overhung by a clump of leaf- 
less trees. 


Signed at the lower right, J. H. Wissmutier. 


NO. 28 


Anton Mauve 
DUTCH: 1838—1888 


COW IN SUNLIGHT 
Height, 1014 inches; length, 161, inches 


A DUN-COLORED cow, spotted with white, is a 
standing in full sunlight in a broad pasture 
bounded by a rank of trees in the distance. _ 
She is facing to the right, with her head — 
somewhat lowered and her ears thrown back, 
and is in strong effect of full sunlight from — 
the upper right, the face, fore legs and fore ~ 
shoulders being in luminous shadow. 


Signed at the lower right, A. Matve. q 


29 
Anton Mauve 
DUTCH: 1838—1888 


COWS IN PASTURE 
Height, 1014, inches; length, 13% inches 


a Two cows, one red and white and the other 
-dun-colored, are standing in the sunlight in 
the corner of a rich pasture which is bor- 
dered by a hedge with a row of slender trees, fi 

: showing a gate leading into a field beyond. y 
_ On the right is the steep roof of a farm build- i) 
_ ing rising above the surrounding trees, and ee 
Bes horizon against a sunlit sky is suggested | i 
asecond farm-house similarly situated. _ Ne 


Signed at the lower right, A. Mavve. 


NO. 


John Lewis Brown 


FRENCH: 1829—1890 


THE FALCONERS 
Height, 914 inches; width, 7 inches 


In an open glade in a great park or forest a 
small party of mounted falconers have been — 
enjoying their hunt. One of them, who has 
been riding a white horse, has dismounted, 
and is conversing with a friend, apparently — 
the host of the occasion, who, with a gesture © 
of authority, is giving directions about the © 
hunt. Beyond the horsemen stands an at- 
tendant in gay livery, carrying three of the 
hooded birds upon a perch, and behind the ~ 
group a clump of trees in dense foliage rises | 
high against a clouded sky through which 
the sunlight bursts and falls strongly RoE 4 
the landscape. | 


Signed at the lower right, 
JOHN LEWIS ot 1875. 


oo ‘at 


Jean Charles Cazin 


FRENCH: 1840—1900 


31 


THE ARTIST’S STUDIO 
; —BOULOGNE 


Height, 51% inches; length, 81% inches 


From a rounded hilltop in the foreground, 


i - which is covered with rankly growing reeds 
and low bushes, the vista extends across a 


rolling country to the horizon, where the 
level line of the sea meets the sky. In the 
distance, on the left, a coppice in autumn 
foliage covers the hillside, and on the right 
the slopes are broken by patches of cultivated 
land. A few low, drifting clouds contrast 
witha high stratum of cirri, through rifts in 


which is seen the soft luminous summer sky. 


Signed at the lower left, J. C. Cazin. 
L. Crist Detmonico Collection, New York, 1905. Lf G 7 Fa i 


is cA: [tcoky 


Jacob Maris 


DUTCH: 1837—1899 b 7 
Ste 


SCHEVENINGEN “yer 
Height, 11% inches; length, 131% hes 


Ir is a breezy day at this famous Dutch — 
watering place and fishing village, and a line e ‘e 
of breakers tumbles on the shallow beach 

and dashes over the hulls of fishing vessels \ 
which, with partly lowered sails, are awaiting _ 
the fall of the tide. In the foreground on the _ 
left is a group of fisher folk, with ladies and | 
gentlemen. Great sunlit cumuli drift across 
the sky, which is reflected here and there in 
the shallow pools in the sand. 


Signed at the lower right, J. Manis. 


iy ent d 


‘VILLAGE 


Height, 91, inches; length, 15 inches 


From the left foreground a deep and narrow 


river leads away, between grassy banks, to 
the middle distance, where it is crossed by a 


stone bridge with a single arch. Beyond the 


bridge, which is flanked on the right by an 
irregular hedge, and on the left by scattered 


clumps of trees and bushes, is a vista 


across a meadow to a distant village, domi- 
nated by a church with a lofty spire. 


The 
sky is covered with a luminous haze in which 


landscape. 


sunlit scuds are drifting, and the full light 
of a midday summer sun falls upon the 


Signed at the lower left, h’hanriex 


iLES. 
P i 
AY itd , ¥ A ( ; 
a ey ue ae sa Fo wen 
OP ai i 
Te af nae : ‘ 
ce Olle 4 
iE - 
MS 
? 


oy if : 
{ Ry 


-™,. i ins 
; ie m & 4 
hi 


NO 34 


Jacob Maris 


DUTCH: 1837—1899 


HOLLAND LANDSCAPE 
Height, 81, inches; length, 14 inches 


A ROLLING tract of rough land extends 

\ away to the horizon, where the sky line is 
formed by bare hilltops, broken here and 
there by the branches of leafless trees which 
grow along a muddy road winding from the 
right foreground around to the left. A cart 
drawn by a white horse, accompanied by a 
peasant, approaches along the road. Large 
masses of sunlit vapor nearly cover the blue 
of the sky. 


Signed at the lower left, J. Manis. 


34 /@a Collection of the late Grorce I. SENey, 
New York, 1894. 


a eee ee ee eas A SS oe te ee ee ae TW Oe eR Oe iS, EC Tie 
Jt gt ; NO. a . ; } if 
rie } ow" y i! 


Dupré 


FRENCH: 1811—1889 


THE EDGE OF A FOREST 
Height, 914 inches; length, 1414 inches 


A FEW cows are seen in a small open glade 
in a large forest, two of them near a large 
ledge of rock which rises out of the coarse 
grass on the top of a slight elevation in the 
left foreground, and two others are drinking 
in a shallow pool under the trees on the 
right. A rank of densely growing trees 
extends across the picture in the middle 
distance in strong contrast against the 
luminous blue of the summer sky, in which 
small lazily floating cumuli are strongly 
touched by the sunlight, which accentuates 
the slender trunk of a tree in the middle of 
the composition, and glints here and there 
upon the animals, the rock and the grass. 


Signed at the lower left, Jutes Dupre. 


Collection of the late Grorce I. SENEY, 


| New York, 1894. A We 
nl EY Ae 
ac7 bought Af the Yaltt 


is Lite Xt (705 $f U2 + 
ied te AA. Mealy ALIA 


A (4-25 ™ 


Constant Troyon 
FRENCH: 1810—1865 


{ THE OLD FARMHOUSE 
Height, 9 inches; length, 121, inches 


Se = 


In the foreground on the left is a white- 

washed roughly thatched cottage, the gable 

touched by the sunlight as well as the side 
“ of a lean-to hovel. To the right of the cot- 
| tage a number of small fruit trees with 

gnarled and twisted trunks and branches 
grow near a straw stack, and beneath them 
in the sunlight stands the figure of a peasant 
woman who-has apparently been hanging 
her clothes to dry upon a rough sapling 
fence. ‘The cottage and the trees are in 
contrast against a simple, quiet, but luminous 
sky. The near foreground and the distance, 
in which is suggested a clump of trees, are 
in full sunlight. 


OTE: 


ES LET |. IO aire 


Signed at the lower right, C. T. 


silt 
Charles Emile Jacque 
FRENCH: 1813—1894 


WATERING THE /HORSES 
Height, 814 inches; length, 1l inches 


In the foreground, strongly illuminated by 
full sunshine,. three horses stand near a 
shallow pool of water, the nearest one white, 
the other two gray and brown respectively. 
On the latter sits a peasant wearing a blue 
blouse and holding a whip in his hand. In 
the distance the open field is bounded by an 
irregular hedge of trees of various sorts, 
extending nearly to the top of the picture. 


Signed at the lower left, Cu. Jacque. 


HAL “Yi, od \ 


38 


Jean Baptiste Camille Corot 


FRENCH: 1796—1875 — 


THE BATHER 
Height, 10 inches; width, 8 inches 


A PARTLY draped female figure is seated 
upon a rock, her head turned away and 
resting upon her left hand, the left elbow 
being supported upon her right thigh. A 
black mantle is draped across one knee, and 
contrasts strongly with the flesh and a white 
garment which is spread upon the rock. In 
the background. is suggested a tree trunk 
and a mass of foliage, and the figure is in 
strong effect of light from the upper right. 


Signed at the lower right, Corot. 


ox. = iia at Ne 2 
eee) “Sipe 
bi 


George Inness, N.A. 


AMERICAN: 1825—1894 


A MEDFIELD FARM 
—M ASSACHUSETTS 


Height, 8%, inches; length, 13%, inches 


In the foreground three tall elm trees, 
growing in a stone wall, rise out of the pic- 
ture, and beyond them, across an enclosed 
sunlit meadow where a few cows are feeding, 
is seen on the left the whitewashed gable of 
a farmhouse, which is almost entirely con- 
cealed by lofty rounded trees in rich summer 
foliage, and which, in strong effect of light 
and shade, rise high against a cloudy sky. 
Through an opening in the rank of great 
trees, which extends across the middle dis- 
tance, is a vista to a distant horizon across 
a pleasant wooded country. 


Signed at the lower right, G. InnEss. 


os | Z hb LS by rte 
Fa “ag 4 . vy. f 
NO: 40 


Alexander H. Wyant, N.A. 


AMERICAN: 1836—1892 


| THE MOUNTAIN ROAD 
| Height, 12 inches; length, 16 inehes 
} 


| In the left foreground a well-worn country 

| road leads along the crest of a hill in rapidly © 
diminishing perspective to the middle dis-— 
| tance, where it disappears among the trees, ; 
i" and apparently descends into a wooded 4 
vale at the foot of the hill. Beyond the 

| vale on the right is a broad broken hillside, 
| with here and there trees and cultivated 
| fields, and from the summit of one of the 
elevations a wreath of white smoke drifts 
away. ‘The sky is covered with luminous 
| gray clouds, the sunlight struggling to break 
through here and there, and a few spots 
of blue show half way to the zenith. 


Signed at the lower left, A. H. Wyant. 
4 3 (© Tomas B. CrarKe Collection, New York, 1899. 


NO 41 


' Johannes endeil Weissenbruch 


DUTCH: 1824—1903 


_ A DUTCH PASTURE 
‘Height, 8 inches; length, 16 inches 


4 A BROAD level pasture, in which a few black 
and white cattle are feeding, extends from 
the foreground to the distance, where the 
horizon line is formed by an irregular row 
_ of trees, broken by a windmill and the roofs 
of farm buildings. From the right fore- 
_ ground a narrow canal runs under a foot 
bridge, and, reflecting the strong sunlight 
from the sky, breaks the green expanse of 
the meadow in a diagonal line to the left. 
Through rifts in the low floating clouds a 
warm summer sunlight bursts forth and 
floods the landscape. 


Signed at the lower left, J. H. Weiss—ENBRUCH. 


f = vA Ne ‘i rh 
to : Me an ge 
? . “. . 
a z i) 
x ag 

} 

" y 
‘ 


NO. 42 


Ludwig Knaus 


GERMAN: 1829— 


A HAPPY FRAULEIN 
Height, 14 inches; width, 1114, inches 


Tue head and shoulders of a fair-haired 
young German maiden, the body in profile, 
the head in three-quarters view to the left, 
slightly inclined, and the eyes turned toward 
the spectator. Her wavy hair, tinged with 
auburn, is brushed back from her fore- 


head and tied in a small knot at the top. — ] 


Her left arm is bare and her hand held to 
her bosom, and the flesh is in contrast 
against a short-sleeved black velvet bodice, 
trimmed with lace, which falls over the 
upper arm.’ The background is a graded 
tone of gray green. 


Signed at the lower left, L. Knaus, 1899. 


Jj. L. A. T. Géricault 


FRENCH: 1791—1824 


_ STABLE INTERIOR 
Height, 134, inches; width, 101, inches 


A srupy of two short-tailed iron gray horses, 
standing side by side in stalls, their feet 
buried to the fetlocks in the straw litter. 
The heads of the animals are not shown, 
and the blankets which they wear have 
been folded over their fore quarters. 


Signed at the lower right, Gértcauuy. 


\ 1 
NV: 


Jan Havicksz Steen 
DUTCH: 1626—1679 


THE MERRY COUPLE 
Height, 11 inches; width, 9 inches — 


In a rustic interior in Holland a peasant 
girl is seated, holding in her lap a pewter — 
porringer, resting her right elbow on a 
barrel. Beside her sits her peasant lover, 
playing some prank at which both are 
heartily laughing. In the gloom of the 
interior in the background are seen a hooded 
chimney-place with a fire on the hearth, 
and a curtained bed. A square-shouldered 
gin bottle and a thick pancake stand on 
the head of the barrel beside the girl, and 
various articles of domestic use are hung 
in the fireplace and on the walls. 


Signed at the upper right, Green. 
us coin ~ Collection of P. C. Hanrorv, New York, 1902. 
utes 


AA Meaty . 


ms 
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NO. 45_ 


- Theophil H. de Bock 


DUTCH: 1850—1904 


‘THE POOL IN THE PASTURE 
Height, 9%, inches; length, 19, inches 


A SHALLOW pool in which grow rushes and 
water weeds extends across the foreground 
to the middle distance, where it is bounded 
by the low, broken bank of a meadow, 
against which are clumps of tall reeds and 
where a skiff, with a single figure in a 
blue blouse, is moored to a stake. Beyond 
the meadow on the left rises a sand hill, 
crowned with poplars and other trees, and 
on the right is the corner of a large wood 
growing on a grass covered slope, with here 
and there patches of sand and outcropping 
ledges. ‘The sky is covered with a mass of 
luminous vapor. 


Signed at the lower right, Tu. DE Bock. 


mr 
peewee 
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Be 
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a Sha PERT. rey 


DUTCH MEADOWS 
Height, 11144 inches; length, 191, inches 


THE motive for this picture was found in 


the broad pasture meadows of Holland, 


where narrow canals run through the land, 
and here and there trees break the monotony 
of the surface and the grass is dotted with 
feeding cattle. A narrow ditch, partly filled 
with growing rushes, reflects, in the fore- 


ian Foe ii 


ground, the light of the sky, and near it, on — i. 


the right, a few black and white Dutch cows 
are lying on the grass. Beyond, in the middle 
distance, the gleam of water shows the line 
of a canal, and on the right a lofty tree, 
dominating a row of pollarded willows, 


rises high against the sky, which is filled 


with quietly drifting cumuli. 


Signed at the lower left, G. PoGGENBEEK. 


fed 
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From Arnot & Tripp, Paris. (\ mi 


NO. 4% 


Henri Harpignies 
FRENCH: 1819— 


THE BIRCHES 
Height, 19 inches; width, 16 inches 


A cuiumpP of graceful, slender white birches 
grow on a grassy bank near a narrow path 
in a broken park-like country, where open 
glades alternate with huge trees in heavy 


foliage. On the right great beeches rise out 


of the picture and are in contrast against a 


quiet, cloudy summer sky. The foreground 


is in modified shadow, and the sunlight falls 
upon the middle distance, glinting on the 
silvery stems of the trees and accentuating 


the broad masses of the foliage and the grass. 


Signed at the lower left, h’harpicnies, 1863. 


Sea 


cay 


; pia ey 


J. Francis Murphy, N.A. 


AMERICAN: 1853— ae e . 


SUNSET AFTER nes 
Height, 12 inches; length, 19 inches 


A’sToRM has just swept over a level tract of 
land, broken here and there by trees and — 
bushes, and the sun, already near the horizon, _ 
is sending through the clouds a vivid gleam — 
of light. In the foreground a narrow, irregu- _ 
lar pool of water reflects the concentrated — 
sunlight, and near it a single tree, with 
slender stem and dense rounded foliage, — 
forms a strong contrast, accentuating - the 
focus of the composition. 


Signed at the lower right, J. Francis Murrny. 


ahs No. 


49 


Henri Harpignies 
FRENCH: 1819— 


ig ys , A SUMMER DAY — 
Height, 15 inches; length, 22 inches 


From the right foreground a deep, placid 
stream leads diagonally to the left between 
low grass-covered meadows, and disappears 
in the middle distance. Overhanging the 
water, in the left foreground, are two sturdy 
old trees, one of them with lopped branches, 
the other with a tall columnar trunk, rising 
out of the picture. In the shadow, under- 
neath the nearer tree, is seated a young lady 
reading a book and evidently enjoying the 
cool shade. Beyond, in the middle distance, 
is a succession of cultivated fields divided by 
hedges, with a single farm building, and here 
__ and there isolated trees. A range of low 
i wooded hills forms the horizon line against a 
simple luminous sky. 


Se ST re r 


Signed at the lower right, W’harrienirs, ‘ae f 

< be) i s pt % Ph ie 
Prom Arnow & Trier, Paris. "Ripa wal wat Lh bey 
Collection of A. BuumenstiEL, New York, 1906. / ge: Oo 


WA Mine 


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Charles Francois Daubigny 
FRENCH: 1817—1878 | 


BANKS OF THE MARNE 
Height, 131, inches; length, 221%, inches 


EXTENDING across the foreground a quiet 
sheet of water, its surface broken by the 
reflections of trees beyond and the tones 
of the soft summer sky, extends away to 
the right to the middle distance, where it 
is bounded by a grassy slope partly cov- 
ered by low trees. On the left rises a 
steep bank, crowned by a rank of poplars 
and lilies, and water weeds and rushes 
grow in profusion along the shore. A 
skiff with two occupants floats near the 
point of the bank, where a fisherman 
stands apparently waiting to enter the 
boat. Beyond, the view extends over a 
wooded country to a distant hillside which 
forms the horizon, and the lofty sky is 
covered with a thin veil of luminous mist 
with scattered low-drifting clouds. 


Signed at the lower left, Davsicny, mee 


JO ? Collection of Henry T. shy ¥ mel I 
fy A Popa é ae 
tin 7 His ertemg IAXX 


“Aw f. TAL Lek . 


Willem Roelofs 


DUTCH: 1814—1894 


SUMMER IN HOLLAND 
Height, 121, inches; length, 20 inches 


A PEASANT is driving a flock of sheep and 
a single cow along a broad, broken coun- 
try road, which winds from the middle 
distance around to the foreground. On 
either side of the road grow tall elms and 
other trees, and beyond the flock of sheep, 
in a passage of full sunlight, stand several 
thatched cottages along the grass-grown 
road. The sky is filled with luminous 
summer clouds, and the haze of early 
morning softens the distant rank of trees 


: 
which extends across the composition be- , 
yond the cottages. : 

2 


Signed at the lower right, W. Roe ors. 


52 


Josef Israéls. + = 
DUTCH: pe fa geee 


WAITING ree” IS MASTER 
Height, 174, inches; width, ny, inches 


In the foreground stands a rude arm- a 
chair with a rush bottom, on which are — 
piled various articles of clothing and a x 
workman’s basket. Near the chair, on | 
the right, lies a spotted dog asleep, and — 
beyond, on the hearth of a hooded fire- — 
place, gleams the ruddy flame of a small — 
fire. ag 


= © Oe ae ad Oe 


Signed at the lower left, Joser Israiits. i 


Rae se (Orie ne 


=) 


TWILI GH T 

Height, 144, inches; length, 21 inches 
Tue sun has disappeared below the hori- 
zon and the sky is glowing with ruddy, 
reflected light, touching the edges of the 


high-floating clouds and sending a warm 
glow over the landscape. The motive was 


found in a flat country, where the horizon 


is almost as level as the sea, and the ir- 
regular ground is broken here and there 
by rocks, bushes and small pools of water, 
and by sparsely growing trees. In the 
left foreground, near a stunted oak tree 
which grows alongside a muddy road, are 
dimly suggested in the gloom of twilight 
figures of peasants with horses and a 
cart, and on the right a small pool of 
water reflects the glow of the sky. 


Signed at the lower left, TH. R. 


=i ees = - 
Ue fave 
ee ae (iy 


NO. 54 
Ralph Albert Blakelock 


EM Agee ae 


avy, 


. GYPSY ENC. 4M MENT 
Height, 144% inches; length, 25 inches 


In the foreground, seated near a fire 
which she is attending, crouches a young 
girl, and on the right two companions, 
engaged in earnest conversation, are 
seated on a grassy bank under a clump 
of moderate-sized trees. The foreground 
is glowing with warm, modified sunlight, 
which mystifies the distance and extends 
over the mass of clouds which covers the 


Signed at the lower right, R. A. BuaKEtock. 


& ; 
Fig 


J. Francis Murphy, N.A. 


AMERICAN: 1853— 


a 


A HILLSIDE PASTURE 
Height, 16 inches; length, 221%, inches 


From a broad marsh in the foreground, 
where narrow, irregular pools of water 
reflect the light of the sky, the ground 
rises in a gentle slope to a rounded hill 
in the distance, which is broken by a cop- 
pice on the summit, and here and there 
small trees are scattered over the irregular 
surface. In the middle distance, on the 
right, a group of slender birches raise 
their leafless branches against the sky, 
which is covered with a mass of gray 
clouds, through which a shaft of sun- 
light breaks well up toward the zenith. 


Signed at the lower right, 
J. Francis Murpuy, 1901. 


Collection of H. Woop Sutuivayn, 
ANG 
New York, 1903. ~«< Wes 


f iat is: ( GA Moots 


NO. 56 
Childe Hassam 


AMERICAN: 1859— 


FIFTH AVENUE AND FIFTY- @& 
SIXTH STREET—SPRING MORN- 
ING (a 

Height, 22 inches; width, 20 inches 


On the right a broad sidewalk, overhung — 
by trees, is crowded with people in spring 
garments, prominent among them young 
ladies, one of whom, in a yellow dress, 
leads a small pet dog. On the left, across 
the street, on which are seen the familiar 
omnibus, a number of private carriages 
and a white-garbed street cleaner, rise the 
lofty facades of residences, dominated by 
a church spire which extends out of the 
picture at the top. A flood of sunshine 
illuminates the sky, the spire and the 
upper parts of the buildings. | 


Signed at the lower right, Cu1tpE Hassam, 1900. 
9) ‘ 
a4 go 4) Collection of H. Woop Svuttivan, 


5 New York, 1903. 
¥ df A - has 


Charles Francois Daubigny 
FRENCH: 1817—1878 


A SHOWERY DAY IN SPRING 
Height, 15 inches; length, 2614 inches 


A Quiet river sweeps around in a gentle 
curve from the foreground to the right, 
and along the shore, at the foot of grassy 
slopes which bound the river, are rows 
of stakes and poles, suggesting their use 
as fishing traps. On the left, rising 
above a thickly growing mass of reeds 
and rushes, stands a sturdy oak tree, its 
rounded top rising against a luminous sky 
filled with thin drifting clouds, catching 
here and there the diffused light from 
the sun. Farther away the horizon is 
formed by the irregular outline of a 
range of low hills, broken here and there 
by clumps of trees and farm buildings. 
The tones of the sky are repeated in the 
quiet surface of the water, which is broken 
only by the reflected light on the ripples 
of the current. 


Signed at the lower left, Davusicny, 776. 


Louis Eugene Boudin 


FRENCH: 1824—1898 


PORT DE ST. VALERY 
Height, 18 inches; width, 1414, inches 


Ir is low water in a narrow estuary. In 
the foreground on the left various small 
boats are stranded at the end of a wharf, 
alongside of which lies a bark with furled 
sails, apparently discharging her cargo. 
From the right foreground a placid ex- 
panse of water extends to the middle dis- 
tance, where it is bounded by the houses 
of a small port and a low grass-covered 
bank crowned by a row of small trees. 
The sky is covered with thin, rolling 
masses of vapor, showing here and there 
small spots of blue, and the landscape is 
in an effect of broad, diffused sunlight. 


Stgned at the lower left, St. Vatery, E. Bounty. 


Cee Gs bry htt fs 
Bb Tacrnm& Fret vee ji 


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59 


Anton Vollon 
FRENCH: 1833—1890 


STILL LIFE 
Height, 2414, inches; width, 17 inches 


A BARREL sawn in two, a large iron ket- 
tle, a long-handled iron frying-pan, and 
a rough cask standing on the ground in 
the sunlight near the corner of a white- 
washed building, the door of which is seen 
on the right of the composition. On the 
left is suggested a narrow passageway in 
the gloom of a deep shadow. The dif- 
ferent articles are strongly contrasted in 
light, shadow and texture. 


Signed at the lower left, A. VoLuon. 


Tees Saar fh Sah cana EN tO he Nal aimee, ERT Taps coe ion 


SO aren ee gee Pe 


jen Charles Cazin 


FRENCH: 1840—1900 


LE DERNIER QUARTIER 
Height, 254%, inches; width, 21 inches 


Bryonp a grassy field, which extends 
across the foreground, are seen a number 
of cottages, with lofty tiled roofs, on 
either side of a large clump of trees, and 
in the sky the crescent of the moon is 
just appearing from behind a small cloud 
which floats near the horizon. In the up- 
per part of the sky an irregular mass of 
vapor is accentuated by the glow of moon- 
light, and in the windows of a low cottage 
overhung by trees is the warm gleam of 
lamplight, suggesting the rapid appre 
of darkness. 


Signed at the lower right, J. C. Cazin. 
4G C Collection of Henry T. Cox, New York, 1902. 


Ries AH Hy 
gardenia OP UCAN Hee 


aE KAN Stee aa Pl 


AL [fbf AML 


Louis Eugene Boudin 
FRENCH: 1824—1898 


UNLOADING THE CATCH 
Height, 14 inches; length, 23 inches 


been left on the sandy beach by the re- 
ceding tide, and the fisher folk are busy 
unloading one of them into a one-horse 
cart which has been backed up to her 
side. Three fisherwomen are seated on 
the beach near by, and another one, with 
a small child, stands near the edge of 
_ the water alongside the horse, which 
patiently awaits his load. A few sunlit 
clouds drift high in the sky and the shim- 
mering expanse of water is flooded by 
sunlight, the horizon line being nearly 
lost in the warm glow. In the foreground 
shallow pools of water in the sand reflect 
the sky and the masts and hulls of the 
boats. 


Signed at the lower right, KE. Boupin, ’86. 


2. 


24 
ee 


‘ In Ae ef 


N° 62 


Jacob Simon Hendrik Kever 


DUTCH: 1854— 


IN THE ORCHARDS 
Height, 151, inches; length, 1914 inches. 


A Dutcu maiden, seated in strong sun- 
light on a wooden bench in an open or- 
chard, is engaged in sewing on a white 
garment, at the same time watching a fair- 
haired little girl who, seated in the grass 
at her feet, is arranging a bunch of vio- 
lets which she has just gathered. Beyond 
the group, in the background, is sug- 
gested an orchard filled with small trees 
in late spring foliage. | 


Signed at the lower left, Krever. 


¥ 


ieee 


See 


63 
Theodore Honrath 


DUTCH 


PLOUGHING 
Height, 18 inches; width, 13 inches 


In the foreground a peasant is stooping 
over a rude plough, which is drawn by a 
single horse, apparently engaged in ad- 
justing the plough shaft, and beyond him 
a partly cultivated field, in which are seen 
figures here and there, extends away to 
the extreme distance, where a few poplars 
grow and a windmill localizes the scene. 
The sky is covered with low drifting 
masses of clouds threatening rain, and 
near the zenith the sun struggles to break 
through the vapor. 


4 Signed at the lower right, Turo, Honratu. 
i = sighiye pee. 
4 


Theophil H. de Bi 


DUTCH: 1850 


NEAR THE DUNES 
Height, 121, inches; length, 23 inches — 


In the foreground is a rough tract of 
land near the edge of a wood, where trees ~ 
have been felled and the bare trunks are — 
lying on the grass. In the middle distance ~ 
a single cottage, with whitewashed gable, 
stands near a rank of lofty trees which 
mark the corner of the forest, and be- 
yond, in strong sunlight, is a row of 
sand dunes, forming an irregular skyline 
against soft summer clouds which cover ~ 
the sky, the light of the brilliant sun being a 
concentrated on a large cumulus in the: a 
middle of the composition. 


Signed at the lower left, Tu. p—E Bock. 


N° 65 


— Louis Eugene Boudin 
FRENCH: 1824—1898 


TROUVILLE 
Height, 14 inches; length, 23 inches 


‘Twas is a view of the harbor of the fa- 
: - mous watering-place on the Normandy 
coast, showing the broad estuary upon 
: which the town is situated, with the lofty 
_ fagades and roofs of the buildings ranged 
: along a busy quay on the right, and on 
the left the curved line of a gently sloping 
grassy bank at the water’s edge, with 
various boats moored near the shore or 
drawn up on the beach. Beyond, across a 
road, on which are several figures, are ; 
seen a lofty residence, workshops and the 
sails of a fishing sloop in silhouette 
against the quiet luminous sky, which is 
covered with a thin stratum of summer, 


clouds. 


259 


iid Mealy 


V1 oe 
No. 66 _ 


Hendrik Willem Mesdag i 


DUTCH: 1831— 


EARLY MORNING 
Height, 20 inches; width, 16 inches 


In the near foreground a Dutch fishing — | 
boat is anchored in the shallow, gently — 
rippling water near the beach, presumably al 
at some Dutch fishing port. Various mem- — 
bers of the crew are standing at the stern, E 
watching two of their companions wading ~ 
toward the vessel, with the water up to — 
their hips. The shimmering waves of 7 
the quiet sea lead the eye away to the — 
distant horizon, the line of which is ; | 
broken by afew fishing craft. Light Pg 
clouds drift upward toward the zenith, — | 
tinged with the rosy light of dawn, and 
here and there a few sea-gulls flutter high 
above the water. 


Signed at the lower right, H. W. Mespas. 


Collection of the late Grorce I. Seney, E 
New York, 1894; ‘ 


Jacob Simon Hendrik Kever 


DUTCH: 185 


A fan 


THE LITTLE Pencmiar 
Height, 191% inches; width, 151, inches 


A .LirtLe peasant girl, seated in a high 
kitchen chair, her feet resting on a foot 
stove, is holding a young child in her lap, 
at whom she gazes tenderly, while the in- 
fant’s attention is fixed on a black and 
white kitten lapping milk from an earthen 
dish on the roughly tiled floor near the 
chair. To the right of the figures, in the 
background, is a kitchen table with an 
earthen pipkin on it. 


Signed at the lower right, Kever. 


} NO. 
A ah 
he +, Bock 


DUTCH: 1850—1904 


A COUNTRY ROAD 
Height, 1414 inches; length, 224% inches 


A saNnpy road in which the wagons have © 
made deep ruts, curving away from the — 


middle foreground, is lost between low ~ 


grassy banks near a cottage in the middle © 


distance, where a single figure is seen. 


On either side of the road are low, broken | 
slopes, partly covered with grass, and on 
the summits of these slopes, on either side, 
grow large trees with heavy foliage, which 


are in strong contrast against a sky filled 4 


with gently floating sunlit summer clouds. | 
Beyond the cottage is a view across a level 
meadow to a distant low horizon. 


Signed at the lower right, Tu. p—E Bocx. 


N°. 69 


Nicolaas Bastert — | 
DUTCH: 1854— 


i THE WHITE SAIL 
! Height, 16 inches; length, 234 inches 


% Tue motive of this picture was found on 
a quiet waterway somewhere in the Neth- 
__erlands, where a broad, placid stream 
flows smoothly between the low banks in 
| a level, well-wooded country. In the mid- 
dle distance is a sailing craft with a single 
: mast, the sails bellying in the gentle 
breeze, and reflected, together with the 
sunlit clouds which drift across the sky, 
in the quiet waters of the stream. 


Signed at the lower right, N. Basrert. 


WO 
Jacob Simon Hendrik ate 


DUTCH: 1854— 


AMUSING THE BABY 
Height, 18 inches; length, 21 inches 


A uirtLE Dutch boy is seated on the ~ 
roughly tiled floor of a cottage, clasping 
to his side a young child, who gazes in 
admiration at a tiny doll with which the 
boy is trying to amuse her. In the back- — 
ground on the left is suggested a fire-_ 
place with a few glowing embers, and on > 
the right is a tall rush-bottomed kitchen _ 
chair. a 


Signed at the lower right, Keven. , 


Bernardus Johannes Blommers 
DUTCH: 1844— 


A DUTCH FISHERMAN 


Height, 28 inches; width, 111/, inches 


3 


Tuis is the full-length figure of a young 
Dutch fisherman, holding under his right 


‘arm a basket, his left arm akimbo, look- 


ing down at a pile of fish which he has 
just thrown on the sandy beach at his 
bare feet. Beyond him are seen the 
water rippling on the shoal, and the hulls 
and the lower parts of sails of fishing 
vessels rising out of the top of the picture. 
Wading in water up to his arm-pits, a 
second fisherman struggles to the shore, 
earrying on his back a large basket of 
fish. 


Signed at the lower right, BLommers. 


MK. 06 ¢ bra ght Jo, 
Qt. ElL. Ki AOL GY 
ed~ Fine NG. 


NO. 72 | 
Theophil H. de Bock 


DUTCH: 1850—1904 


AUTUMN: > GS 
Height, 16 inches; length, 231, inches 


From the right foreground a broad muddy 
road, deeply rutted by the farmers’ carts, — 
extends away in perspective to the dis- 
tance, mostly in shadow from a rank of 
lofty trees overhanging a narrow canal _ 
on the left, but touched here and there 
by a shaft of sunlight which flashes be- 
tween the great cumulus clouds which © 
cover the sky. A peasant woman is driv- 
ing a herd of cows along the road toward | 
the distance, and on the right of the group 
a lofty tree, in autumn foliage and with 
straggling dead branches, grows on the 
edge of a broad meadow which extends ~ 
away to the remote distance, where a line 
of low hills forms the horizon. 


Signed at the lower left, Tu. pE Bock. 


DUTCH 


COWS IN PASTURE 
Height, 211% inches; length, 251 inches 


In the foreground a white and brown 
cow stands hoof deep in a pool of water, 
just about to drink, and a second animal, 
farther away, is apparently anxious to 
join the rest of the herd, which is scat- 
tered over the rough pasture beyond. On 
the left a clump of birch trees rise out of 
the picture, and on the right the vista 
extends to distant wooded hilltops under 


a summer sky. 


Signed at the lower right, E. WatTeEtin. 


Willem Roelofs 


DUTCH: 1822—1897 


A FARM IN HOLLAND 
Height, 181, inches; length, 29 inches 


In the foreground a narrow foot-bridge 
spans a canal between two wooden piers, 
and near it stands a thatched hovel partly 
surrounded by low trees. Scattered over 
the meadow on the far side of the canal 
are several peasant women, engaged in 
cultivating the land, and farther away a 
line of low trees, with a single farm build- 
ing, forms the horizon. The sky is partly 
covered by thin drifting clouds, touched 
here and there by the sunlight. 


Signed at the lower left, W. Roe ors. 


ZL (OQ Collection of the late Groncr I. Seney, 


tc Of Neale 


New York, 1894. 


< \ ees if 
eu ig i 
it 4 
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4 
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; 
" Fates : a 
2 eal od é | 
a. F j i : 
va a é 
a ‘ é Pe 
5 _ 4 3 ¥ 8 . nie 
see eae ant ea 
a Reta 2 ; 
N % 5 4 ie i e 
4 ey, 
gy 9 


Josef Israels 
DUTCH: 1824— 


A DUTCH INTERIOR 
Height, 20 inches; length, 28 inches 


An old Dutch vrouw, knitting in hand, is 
seated in a simple cottage interior near 
a table under a broad window, gazing 
with interest at a cat which is drinking 
milk from a shallow earthen basin on the 
floor. The window is partly covered by 
thin lace curtains, a tray with tea things 
stands on the table, and the bonnet of the 
old woman occupies the seat of a chair 
on the left. A flood of diffused light 
from the broad window enters the room, 
accentuates the objects here and there 
and fills the shadows with warm reflections. 


Le ne ET ey ANT LT Oe! TS ee Oe Ve Oy eey 


Signed at the lower left, Joser Israkts. 


Collection of A. Dissecker, New York, 1898. LOG, i) 


re os ,£73~ AA, Healy | 
i ll A ii 
/ Oe ie freheeti,, | 


a Bg C Up tA | 


ree Marwh 76 


Oa a aes tan I eg oe 


No. 46 
Willem Carel Nakken 


DUTCH: 1835— 


BUILDING THE RICK 
Height, 201, inches; length, 30 inches 


In the left foreground is a partly con-— 
structed rick, on the top of which are — 
two farmers, engaged in arranging the — 
sheaves, while a third is handing them > 
from a two-wheeled cart near by, which — 
is drawn by three sturdy farm horses. 
In the shadow of the rick sits a woman 
with her faithful dog, and on the right in 
the distance is a wide field, bounded by © 
a line of low rounded trees. The land- 
scape is in full sunlight and the sky is 
nearly covered by soft luminous clouds. 


Signed at the lower left, W. C. NAxKKEN. | 


( 
H 
i 


NO. 7% 


Jonannes Martinus Vrolyk 
DUTCH: 1846—1994 


LANDSCAPE AND CATTLE 
Height, 214, inches; length, 34 inches 


In a shallow pool which extends diago- 
nally across the foreground to the left 
three spotted cows stand knee deep, two of 
them drinking, and beyond, scattered over 
a broad, level meadow, bounded in the dis- 
tance on the right by a large coppice, are 
other cattle, attended by a single peasant. 
The sky is covered by luminous clouds, 
and the warm haze of summer extends over 
the distant landscape. 


Signed at the lower right, JAN VROLYK FT., ’89. 


DUTCH: 1854— ; 


PLAYMATES \ ~ 
Height, 23 inches; length, 311%, inches 


in her charge, is seated in the sunlight 


upon the rich grass of an orchard, and ' 4 
near them stands a white goat, which a 
lad is fastening to a stake by accord. The ~ 


warm light of midsummer falls upon the 


ever 2 


A uirtLe Dutch girl, with a young child — 


i a) 
ay 
. 


pee 
a: 


group, touching here and there the figures a4 | 
of the children and the goat, flecking the _ 


blossoms and leaves of the fruit trees in 


the background, and making strong con- . 
trasts of light and shade on the richly — 


growing grass under the trees. 


Signed at the lower right, KEveEr. 


lant pa 


NO. 79 


Josef Israéls 
DUTCH: 1824— 


AN OLD MAN WALKING 
Height, 331, inches; width, 23 inches 
Tuis is the full-length figure of .an old 


man, dressed in rather shabby clothes and 
walking toward the spectator, his left 


hand resting on a short stick and his right 


hand extended as if gesticulating. His 
head is in three-quarters view to the left, 
strongly lighted from the upper left, and 
the background is a broken tone of gray. 


Signed at the lower right, Joser IsraEts. 


Pad 


se ate 


= isco 


S = 


= sep 


a Ne a Fe RE eS ee 


Albert Neuhuys 


DUTCH: 1844— 


SUNLIGHT 
Height, 33% inches; width, 24 inches 


In the rich grass near the doorway of 
a cottage a little Dutch girl is seated, 
plucking the petals from a bunch of — 
flowers which she holds in her lap, while 
a tame goat, tethered to the tree unde 
which the child sits, crops the herbage 
In the gloom of the cottage interior i 
seen the mother, in characteristic costume 
Strong sunlight touches the foliage of th 
tree, casts luminous shadows on the wall — 
of the house, accentuates the figure of — 
the child, and flecks here and there the ; 
grass. : 


Signed at the lower right, ALBERT a tesye PS 


i wh dalypa® 


€: 


Francois Pieter Ter Meulen 
DUTCH: 1843— 


A SHEPHERD AND HIS FLOCK 
—WINTER 


Height, 24 inches; length, 361, inches 


An old shepherd, half surrounded by his 
sheep, is leading his flock along a snow- 
covered road over the brow of a hill, pre- 
sumably toward a distant shelter. The 
animals, discouraged by the cold, keep 


_ stolidly on their way, and the sheep dog, 


following his master, plods along alert, 
but not active. On the left a rough 
wooden fence bounds a bit of waste 
ground, which forms the horizon against 
a wintry sky glowing with the light of 
the setting sun. 


Signed at the lower left, TER MEULEN. 


NO 82 


Constant Troyon 
FRENCH: 1810—1865 


THE FERRY | 
Height, 254, inches; length, 32 inches 


In the foreground a large flat ferryboat, a 
carrying a horse and cart, several peasants 


and four cows, has just reached the land- 


ing on a low muddy shore, and a horse- 


man and two cows, which have apparently 


just left the boat, are seen on a sloping ‘ 4 | 


roadway which leads to the village on the 
bank farther away. On either side the — 
placid stream are lofty poplars and other 
trees, partly in sunlight and partly in 
shadow, and a barge, with a single sail 
and bearing the French flag, quietly drifts 
down the stream. The time is early sun- 
set, and the disk of the full moon is seen 
high in the simple quiet sky. ; 


Inscribed at the lower left, VENTE Troyon. 


aa 


N° 83 


Charles Francois Daubigny 
FRENCH: 1817—1878 


oth 
SPRINGTIME 
Height, 26 inches; length, 37 inches 


In the foreground is the corner of an 
orchard with several apple trees in full 
fruit, dominated by a tall beech, which 
rises with rounded top high against a 
cloudy sky. On the right the orchard is 
bounded by a depression which is filled 
with flowering shrubs, and beyond, the 
view extends across a cultivated field to 
a hedge in which stands a poplar and an- 
other tree. The light in the sky is con- 
centrated near the middle of the composi- 
tion, and sunlight falls strongly upon the 
near foreground, the distant cultivated 
field, and gleams upon the wings of the 
birds soaring high above the earth. 


Inscribed at the lower right, Vente Dausicny. 


an 


ic Pee” 


7 4 ra 
ee 


Nicolaas Bastert 
DUTCH: 1854— 


A RIVER VIEW.IN HOLLAND _— 
Height, 251, inches; length, 381% inches 


A wHITEWASHED farmhouse stands in a 
low meadow near a broad canal on the 
right of the composition, surrounded by 
pollarded willows and other trees. A small 
boat with a single oarsman is just leav- 
ing the shore at a rude landing near the 
farmhouse, and in the distance a number 
of peasants are seen at work in a culti- : 
vated field, their white garments gleaming ny 
in the sunlight. The quiet waters of the — 
canal reflect the opposite shore, with its 
row of poplars and long farm buildings, — 
and in the immediate foreground the trees 
and the cottages are mirrored in the still 
water. Great sunlit cumuli lazily float 
high up in the clear sky, and are reflected — 
here and there in the canal. | 


Signed at the lower left, N. Basrerr. — 


J. H. Wijsmuller 


DUTCH: 1855— 


THE LOCK IN WINTER 
Height, 264, inches; length, 40 inches 


A sroap canal in the middle distance is 
closed by a lock with curious windlasses 
surmounting the piers on either side. On 
the left is a row of houses in perspective 
along a road partly covered by snow, and 
on the right in the foreground is a double 
brick farmhouse with out-buildings sur- 
rounded by tall, leafless trees growing out 
_ of the low snow-covered canal bank. The 
sun has already set, and the glow of even- 
ing is concentrated at the horizon, where 
a few clouds gather, and is, together with 
the houses, trees and other objects, re- 
flected in the quiet waters of the canal. 


Signed at the lower right, J. H. WissMULLER. 


Willem Maris 


DUTCH: 1844— 


UNDER THE WILLOWS 
Height, 50 inches; width, 34 inches 


A row of pollarded willows, with several 
taller trees rising high against the sum- 
mer sky, grow upon the low grassy bank 
of a shallow waterway. A herd of cows, 
some of them on the bank, others cooling 


themselves in the water, are watched by Ne 
a peasant, who stands under the trees, and ~ 


beyond, down the broad canal, which is 
half choked with bunches of reeds and 


water-weeds, a vista extends to a mysteri- 


ous distance under a lofty summer sky 
with great drifting sun-tipped cumuli. 


Signed at the lower right, Wu1emM Maris. 


me 


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ta 
& 


AY 
, 


NO. 8% | 
Willem Roelofs 


DUTCH: 1822—1897 


PASTURE NEAR THE DUNES 
Height, 34 inches; length, 55 inches 


EXTENDING across the foreground, a 
placid expanse of water reflects the sky, 
the distant dunes, the deep foliage of 
trees and the forms of cattle feeding on 
the pasture beyond. On the left a great 
clump of sunlit rounded trees raise their 
lofty crowns against the sky, and in the 
distance, across a broad marshy meadow, 
is a level line of sand dunes broken by 
irregular masses of verdure, terminated on 
the extreme right by a steep tree-clad 
slope, and showing beyond it a second line 
of dunes in the distance. Great rounded 
sunlit clouds float low in the sky, suggest- 
ing a quiet day in full midsummer. 


Signed at the lower left, W. Rortors. 


Hendrik Willem Mesdag 


DUTCH: 1831— 


THE FISHING FLEET 
Height, 241, inches; length, 52 inches | 


Near the foreground on the right a large 
fishing-boat, with sails partly lowered and 
the nets hoisted to the masthead, is 
stranded in the shallow water. The fisher- 
men are unloading the catch, wading 
through the water and carrying the heavy 
baskets on their shoulders. To the left, 
and beyond, other craft are lazily drifting — 
on the quiet water, which is broken near 
the shore by long lines of low breakers, 
and the view extends across the shimmer- 
ing sea to where the horizon is lost in the 
summer mist, broken only by the shadows 
of the shapes of distant vessels. Small 
scuds drift across the sky, glowing with 
the warm light of the sun, which is far 
below the horizon. 


Signed at the right, H. W. Mespaca, 1874. 


No. 


89 


Paul Joseph Constantin Gabriel 
DUTCH: 1828— 


IN THE CORNFIELD | 
Height, 26 inches; length, 40 inches 


A Broap wheat field has been reaped and 
the corn stacked in a long rank ready for 
threshing. A cart, upon which two men 
are loading the sheaves, forms the central 
object in the composition, and is in strong 
contrast against a turbulent sunlit sky 
beyond. On the right of the field is a 
piece of waste ground bounded by a hedge 
of low bushes and trees, around which 
flutters a flock of birds. Great masses of 
rolling clouds partly cover the sky, their 
edges touched by the sunlight, their shape 
and character threatening a succession 
of wind and rain storms. 


ENE OE a ee Oa) ee et ee, ee 


Signed at the lower left, GaBriet. 


George Herbert McCord, A.N.A. 


AMERICAN: 1840— 


EVENING IN THE HARBOR 
Height, 22 inches; length, 27 inches 


In the foreground, on the right, a square- 
rigged vessel and two fore-and-aft craft 
are moored to a quay, and several small 
boats with oarsmen float nearby. On the 
left the estuary extends away to the dis- 
tance, where the buildings of a hillside 
town are seen on one side, and a grassy 
slope with scattered cottages leads down 
to the water on the other. ‘Two fishing 
vessels are drifting on the water in the 
middle distance, their sails glowing with 
the light of the sun, which is just dis- 
appearing behind the houses of the town. 
The warm sunset glow touches the edges 
of high drifting clouds, which nearly touch 
the sky, fills the shadows with luminous 
reflections and is re-echoed in the ripples 
of the water. 


Signed at the lower right, G. H. McCorp, A.N.A. 


\ Collection of Grorce N. Tyner, New York,1901. 


NO. 91 


G. Sartori 
ITALIAN 


A CANAL IN VENICE 
Height, 2717, inches; length, 391, inches 


A sroap rippling canal leading from the 
foreground in perspective to the middle 
distance, passing under a lofty brick 
bridge with a single span, is narrowed 
between tall houses, and enters the broad 
open water beyond. A number of fish- 
ing boats with colored sails are moored 
to the banks on either side, and on the 
quay on the left, in the broad shadow of 
the sun, which is already low in the heav- 
ens, are numerous women with white 
shawls, mantilla-wise over their heads and 
shoulders, and numerous fishermen near 
the base of a tall flagstaff. 


Signed at the lower left, G. Sarrort. 


NO- ae 


Georgio Belloni 
ITALIAN 


Contemporary 


AN ITALIAN GARDEN 
Height, 2% inches; length, 40 inches 


Tus is a view across a sloping, richly cul- 


tivated garden, presumably on the Riviera, _ 


to a broad wooded hillside beyond, where 
villas and other residences are scattered 
about among the trees. In the near fore- 
ground, on their way down to the shade of 
fruit trees on the slope below, a nursemaid 
is directing the steps of a small child be- 
tween the rows of artichokes. The warm 


southern sun strikes full upon the land- i 4 


scape, throwing the foreground into lu- 
minous shadow, and broadly illuminating 
the hillside beyond and the rolling masses 
of cumuli which appear over its crest. 


Signed at the lower right, Bettont. 


Georgio Belloni 
ITALIAN 


Contemporary 


THE HARBOR AT GENOA 
Height, 291, inches; length, 40 inches 


A BROAD quay with a line of railroad track 
crosses the composition diagonally from 
the foreground to the left, and beyond is 
a view across a wide harbor to a large and 
prosperous town extending over hillsides 
from left to right. Along the quay from 
the left in a wide sweep to the distance 
are numbers of steam vessels and sailing 
craft of all sorts and descriptions, and a 
few steam launches and other boats are 
seattered over the water. A peasant in 
a blue blouse sits patiently fishing on the 
edge of the quay in the foreground, watch- 
ing a small boat as it approaches the 
landing. The sky is covered with drift- 
ing masses of gray clouds, the light on 
which is concentrated near the horizon on 
the right, where the towers and roofs of 
the town are in silhouette against it. 


Signed at the lower left, QBetiont. 


NO. 94 
A. Milesi | 


ITALIAN 
Contemporary 


A MARKET SCENE IN VENICE 
Height, 301, inches; length, 41 inches 


Tus is a study of a characteristic shop 
in a Venetian street where eatables of 
every kind are sold. On the left stands 
on a scaldino a steaming kettle, and near 
it salt codfish are displayed. Under a 
rough wooden awning stand barrels full 
of herring, a suspended chicken, boxes 
of oranges and other fruit, and standing 


near the fruit is a young girl, apparently 


examining the wares or bargaining with 
the grocery man. 


Signed at the lower right, 
A. Miresi, VENEziIA, 1894. 


AMERICAN ART ASSOCIATION, 
MANAGERS. 


THOMAS E. KIRBY, 
AUCTIONEER. 


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